That riveting scene-which starts with a simple goldfish pond and ends in manly, restrained tears-is exactly the kind of thing that makes The Crown such refreshingly restrained-yet-irresistible television. This series prefers, instead, the slow burn of that two-hander sequence between Lithgow’s enfeebled Churchill and Dillane’s probing Sutherland. These are studies for Winston Churchills right hand in Graham Sutherlands celebrated portrait commissioned by The Houses of Parliament in 1954. The episode ends with Clementine’s official story-that she burned it all on her own.īut even if Morgan did know all the facts, The Crown isn’t really one for capers anyway. In 1978, when Sutherland discovered the painting had been burned, he called it “without question an act of vandalism.”Īnother writer might have latched on to the drama of a middle-of-the-night painting bonfire, but it’s possible Morgan-who has been working on The Crown since at least 2014-didn’t know about the Hamblin caper when he wrote his script. When Hamblin came back to tell her boss what she had done, Churchill’s formidable wife said, “You did exactly as I would have wanted.” Clementine-who worked very hard to preserve her husband’s legacy both during his career and after his death-took the blame for the portrait going missing and claimed she burned it herself. Miles away, and then scurried round the side of his house into theīack garden, built a huge bonfire and put it on so that no-one could They put it in the back of his van and drove to his house several Graham Sutherland initially established his reputation as an engraver, sometimes earning 700 in sales in one year, but the international market collapsed with.
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